JOO, JOO,WHERE DO YOU GO?
translated from the Rajasthani by Vishes Kothari
‘ . . . It feels to me like every letter of this story is a priceless gem . . . as if this story is about the collective subconscious of primal man. The subconscious mind of one human is different, and the collective subconscious is different. The subconscious of primitive man regards the non-living to be living like itself. Like them, stones, fodder and wood chat among themselves, smile and laugh and dance and play. Small and big creatures— lice, mosquitoes, ants, spiders, snakes, elephants, foxes and jackals—all wear clothes like men and women, deck out in jewels, bindis, tikkis and mehndi. Celebrate Holi, Diwali, Goga(i) and Teej. The trees, bushes and fruits and vegetables talk among themselves. Feel pleasure and pain. They see their reflections in nature. And feel like all of nature is their extended family. And behave with it as per this. Everything that man does, all the small and big creatures of nature also do. Sleep, eat, toil and dream.’
There was a joo(ii). She used to live on the head of a girl. The girl took great care of her. She would give her seera(iii) and poori to eat. When the joo would walk on the girl’s head, the joo would leave lines of gold and encrust her hair with diamonds and emeralds. The girl’s head now had several lines of gold and was encrusted with priceless diamonds and emeralds. When the joo would consider leaving the girl’s head and going away, her head would begin to itch. The girl would then quickly catch the insect and not let her leave her head. And if the joo didn’t think of leaving, the girl’s head would not itch at all! One day, the joo decided to leave. She began to make her way very, very softly, but even then the girl’s head began to itch. The girl got highly suspicious. To distract the joo, she began to ask her questions about this-and-that things—
‘Joo-joo, where do you go?’
‘To pluck on chana leaves.’
‘How do you pluck on them, ae?’
‘How do you cut them, ae?’
‘How do you cook them, ae?’
‘With a cham!’
‘How do you eat them, ae?’
‘With a sabad-sabad!’
‘And where do you sleep, ae?’
‘Behind the stove.’
‘What do you spread, ae?’
‘What do you cover yourself with, ae?’
‘What do you keep under your head, ae?’
‘The rolling board.’
‘What do you keep under your feet, ae?’
‘The rolling pin.’
‘With what you do you keep warm, ae?’
‘How do you cough, ae?’
‘With a khoo-khoo!’
Then suddenly, the girl, catching the joo between her nails, said, ‘You are my joo. Where do you go, ae?’ But her nails had grown lately. The joo got crushed as soon as the girl pressed hard with her nails. The girl began crying. One teardrop fell on the crushed body of the joo, and instantly, it became a blood-red ruby. The girl sold the ruby for a lakh and a quarter. She celebrated her wedding with great dhoom-dhaam and enjoyed herself for many years.
i. Gogaji is a folk deity worshipped across swathes of north-west India. Goga Navami is a festival celebrated in the lunar month of Bhadua (or Bhadra).
iii. A sweet delicacy, like halwa
Text copyright © The legal heirs of Vijaydan Detha 2020
Translation copyright © Vishes Kothari 2020
Popularly known as Bijji, folklorist and literary giant Vijaydan Detha has written more than 800 short stories many of which have been translated into multiple languages. He has been conferred with the Padma Shri, Rajasthan Ratna Award and the Sahitya Akademi Award among various others for his writings that span decades. Detha’s timeless classics have been adapted into major plays and movies, some notable names being Paheli, Charandas Chor and Duvidha.
A financial consultant by profession, Vishes Kothari is a writer and translator with a keen interest in the oral and musical traditions of Rajasthan. Jo Jo Where Do You Go? first appeared in his book Timeless Tales of Marwar, a collection of Vijaydan Detha’s stories translated from Rajasthani. The book was published in January 2020 by the Puffin Classics imprint of Penguin Random House, India.